An All-Round Player
This lens, with a 1.6x squeeze factor, behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, suitable for capturing close ups and distant subjects. This lens enables the camera to see well to the left and right, leaving filmmakers more space for composition.
High Resolution Wide-Screen Images
Two aspect ratios are here for your choice. When shooting 3:2, this lens offers a 2.4:1 aspect ratio, whereas shooting 16:9 yields a significantly wider 2.8:1 aspect ratio. You’ll have no problem getting super crisp wide-screen shots on this lens, with the subject being exceptionally sharp yet the background soft and natural.
Shot on 3:2 , desqueeze to 2.4:1 aspect ratio
Shot on 16:9 , desqueeze to 2.8:1 aspect ratio
Subtle Lens Flares
Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for.
The subtle and natural blue streaks stand out for adding a Sci-Fi ambience to your shots without being too aggressive.
Creamy Oval Bokeh
Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh, providing a more dreamy and abstract background over regular lenses. Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.
Sense of Compression
Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.
Consistent Cine Lens Housing
75mm lens maintains the same solid build quality as its 50mm brother. It features a fully metal body, an 82mm filter thread and a 1/4''-20 threaded hole. Focus and aperture rings are geared with the same position as the 50mm for easy lens switching.
1+1>2
Want to have your ideas precisely conveyed to the audience? Want to have the subject and background presented more subtly? Then 50mm T2.9 plus 75mm T2.9 would be a great combination you don’t wanna miss.
Four Native Mounts
Given the rise in popularity of full-frame mirrorless cameras, this lens offers four native mounts, including RF, L, E, and Z mounts, compatible with most full frame mirrorless and cinema cameras on
